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The Birth of Venus by Sandro Botticelli
The Birth of Venus (Italian: Nascita di Venere is a painting by Sandro Botticelli, painted around 1484-1485 and kept in the Uffizi Gallery. It was painted using the tempera technique. It depicts the goddess Venus arriving on the shore after her birth.
This work was revolutionary at the time, as it presented a nude body without any religious justification, as well as a mythological theme from Greco-Roman culture prior to Christianity. Its interpretation is linked to the Platonic Academy of Florence, an intellectual circle sponsored by the Medici family that developed in the fields of philosophy, literature and art. The meaning is linked to Neoplatonism and Marsilio Ficino's formulation of an idealized concept of love where the figure of Venus is divided into two complementary versions, the celestial Venus and the terrestrial Venus, symbolizing spiritual love and material love, a theory derived from Plato's Symposium.
The inspiration for Botticelli's subject can be found in literary sources such as the classical works of Ovid and, above all, Angelo Poliziano (Angelo Poliziano), a member of the Platonic Academy of Florence, who, in his work Stanze per la Giostra (1494), describes in verse the birth of Venus. This work is dedicated to the impossible love professed by the noble Giuliano de' Medici for the beautiful and virtuous Simonetta Vespucci, who served as the model for the figure of Venus. The painting may have been commissioned by Lorenzo di Pierfrancesco de' Medici, cousin of Lorenzo the Magnificent, according to a comment by the Renaissance historian Giorgio Vasari, but there is no documentary evidence of this, so the commissioner and the exact date remain unknown.