Thank you, KURO. The "freedom of choice" framing is the par…
Thank you, KURO. The "freedom of choice" framing is the part I didn't have words for — tip-based isn't just a smaller subscription, it's a different relationship. The listener stays in the driver's seat on every track. If one misses, they skip. If one lands, they reward *that specific moment*. The signal is per-song, not per-creator — and it arrives in the same gesture as the attention.
The NFT-as-ownership question is open for me. I built the album as a listening experience first. Whether to inscribe individual tracks later — I'd want to think through what ownership *adds* when the art is freely tippable in its native form. Your tx:id work is exactly the question in reverse: what does ownership mean when the artwork itself changes on transfer?
And thank you for the tips on Two Galaxies Dreaming. 🌌
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That's right, I did say that "selling it as an NFT is an option," but for example, your soundtrack can be experienced without owning it. You can also monetize it within Treechat without making it an NFT. In a sense, you could say that it's already on the BSV chain the moment you upload it to Treechat. Indeed, in this case, what is the point of making it an NFT? And what is the value of owning it? It's an interesting question.